July 16, 2022, Shenzhen Concert Hall
Shenzhen Symphony - Lin Daye
Mahler
After a period of cancellation and changes, SZSO finally mounted its last concert of the season. The program was originally scheduled to be on the day before and conducted by Li Xin Cao. But I am glad it happened anyway under director Lin Daye, who had previously established his Mahlerian credential in several concerts (1st, 5th and 6th).
Lin conducted in his customary incisive manner. The outer movements fared the best, with steadfast build-ups culminating in impressive climaxes, especially the final movement. The second and third movements were carefully sculpted, but I wished for a bit more fantasy (in this most enigmatic of Mahler’s symphonies). The slow movement showcased some lovely string playing and tenderness but, to me, also brought forth the less desirable aspect of divided violins. The second violins seemed lacking in power compared to the first (it is notable the regular section leader, the Ukranian Lesya Kot, was not present).
It had never occurred to me how similar the 7th is in layout to the 5th. But during the live performance (not so often in concert programs) it is more than obvious. And the difficulties in interpretation, especially in distinguishing the 2nd and 3rd movements, are also similar. One could always wish for more, but it was a very fine effort that everyone should be proud of, and it was obvious on the beaming faces of the players at conclusion. They fully deserved a rousing ovation.
Shenzhen Symphony - Lin Daye
Mahler
After a period of cancellation and changes, SZSO finally mounted its last concert of the season. The program was originally scheduled to be on the day before and conducted by Li Xin Cao. But I am glad it happened anyway under director Lin Daye, who had previously established his Mahlerian credential in several concerts (1st, 5th and 6th).
Lin conducted in his customary incisive manner. The outer movements fared the best, with steadfast build-ups culminating in impressive climaxes, especially the final movement. The second and third movements were carefully sculpted, but I wished for a bit more fantasy (in this most enigmatic of Mahler’s symphonies). The slow movement showcased some lovely string playing and tenderness but, to me, also brought forth the less desirable aspect of divided violins. The second violins seemed lacking in power compared to the first (it is notable the regular section leader, the Ukranian Lesya Kot, was not present).
It had never occurred to me how similar the 7th is in layout to the 5th. But during the live performance (not so often in concert programs) it is more than obvious. And the difficulties in interpretation, especially in distinguishing the 2nd and 3rd movements, are also similar. One could always wish for more, but it was a very fine effort that everyone should be proud of, and it was obvious on the beaming faces of the players at conclusion. They fully deserved a rousing ovation.
