24 February, 2017

Concert Review: Elisso Virsaladze and David Oistrakh Quartet

February 18, CH
Elisso Virsaladze Solo Recital
Schumann-Schubert-Prokofiev-Liszt

Virsaladze, now 74, is acknowledged yo be a Schumann "specialist", her playing of this composer praised by none other than the formidable Richter. Now, I am not a fan of Schumann's piano works, yet I hereby do attest that hers was the best Schumann playing I have heard.

Too much had been made of the Florestan-Eusebius thing, and I don't subscribe to it at all. Indeed, many pianists carry this so-called "duality" too far, ending up sounding just piecemeal and impulsive. Not so Virsaladze, who played with unrivaled coherence. What utter harmony, and coordination between the hands! The Arabeske was an enticing opener. The Fantasiestucke, usually fragmented in lesser hands (and not a personal favorite), sounded of one piece. The Liszt arrangement of Widmung was an pleasant exotica.

The first half concluded with a stirring Prokofiev Sonata No. 2, played with brilliance and maturity, not just banging it out. The concert ended with Liszt's Rhapsodie Espagnole, which to me was lacking in Spanish flavor.

The first encore was Mozartian, but I am not sure what it was, maybe a Beethoven variation? Beautiful playing. The second was an impeccable Chopin.

We were lucky to have heard her, and I sure wish she would come back soon. During intermission, I rushed out and bought the ticket for the concert below.

February 20, CH
Elisso Virsaldze and David Oistrakh Quartet
Brahms-Schumann

I have heard recordings by the members of this quartet, yet this was the first time I heard them as a quartet. The playing was virtuosic and without flaw, yet I found them strangely lacking in the first half. The Brahms Piano Quintet was just too lean and devoid of a bronzen sonority (difficult to achieve I know), the balance not helped by Virsaladze's self-effacing contribution. Part of the reason was first violinist Baranov's unusually prominent tone, which eclipsed the inner voices. Then, a miracle! The Schumann Piano Quintet was well nigh perfect. Baranov toned down a little, balance improved and Virsaladze was bolder and absolutely divine. Great stuff!

February 21, CH
David Oistrakh Quartet
Haydn-Shostakovich-Tchaikovsky-Paganini

I missed the short Haydn opener. The quartet was in fine form. The Shostakovich 8th was very well played, but I wished for a little more struggle and danger. Tchaikovsky's No. 2 was always tricky, and I cannot say they have overcome every hurdle. The concer ended with 2 Paganini arrangements, delightful.


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