15 April, 2019

NYPO Simone Young

Simone Young conducted the New York Philharmonic in Mahler's Symphony No., 6 Thursday night at David Geffen Hall. Photo: Caitlin Ochs pic from New York Classical Review.

NYPO Simone Young

April 12, 2019, Geffen Hall
NYPO - Simone Young
Mahler Symphony No. 6

Serendipity!

Jaap was supposed to conduct but his problematic shoulder got the better of him and Simone Young was summoned at the last minute to replace him. An that was my fortune!

As someone from HK, where one gets to hear Jaap often, I know Jaap's Mahler 6th. But nothing prepared me for Simone Young's interpretation.

I am familiar with Simone Young's work on recordings (Ohems) and she is an authority in Mahler and Bruckner. Still, nothing prepared me for this!

I agree with almost everything the NewYork Classical Review said, (the NYT is a non-review, increasingly so) and agree even more with one of the comments. She is the real thing!

Straightforward, but utterly natural and well paced. Highly detailed (like the dance elements) yet single-minded, marching inexorably to the last movement. This is one of the greatest Mahler finales's I have heard over 4 decades at the NYPO. The repeated struggle, calamity, attempt to recover, were so graphic as to be painful.

My words mean little, but I saw the Viola first chair (Cynthia Phelps) wiping her tears off just before her last notes. There cannot be higher accolade. In my decades of attending the NYPO, I have never seen a principal weep.

Make sure Simone Young returns in Mahler and Bruckner, which she does better than Jaap.

Istvan Vardai and Roman Rabinovich

Concert: Istvan Vardai and Roman Rabinovich

Official link

April 7, 2019, Town Hall
Istvan Vardai and Roman Rabinovich
Beethoven - Schubert - Rachmaninov

I only managed to attend the first half.

Of particular interest to string fans is that Istvan Vardai plays the famous DuPre-Lynn Harrell Strad Cello, but I am afraid judged by this outing the instrument is not entirely in good hands.

Grant you, many of DuPre's recordings are wayward, and I have never heard her live. But enthusiasm is not something that can be faked, and her recordings, warts and all, testify to her personality (aside from Elgar, I like her Brahms). I am lukewarm about Lynn Harrell, who is always correct (but no more), but I think Vardai is a poor successor.

Vardai plays sensitively but tends to linger and smell the roses and lack drive. Also, he makes the instrument sound very dark, not a good thing in cello. The Beethoven variations dragged on, and the Schubert Appregione needed more vitality.

Rabinovich is an excellent pianist, but too deferential.